Drums – Notation – BT6 – Swung, Rounded, or Ternary Notation Rhythms
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How Ternary Rhythms (3, 6, 9, etc. parts) relate to Binary Rhythms (2, 4, 8, etc. parts) and other artificial Tuplets (5, 7, etc. parts):
PDF doc: Counting artificially-notated “Tuplets” (Duplets, Triplets, Quadruplets, Pentuplets/Quintuplets, Sextuplets, etc.) – While you watch Video
“Swung-Time” Rhythm Charts:
Drummers can play these charts on snare drum only to improve their reading and concert band/orchestra skills!
Drummers can play them as drum-set fills around their kit.
Drummers can play them as crashes + bass drum, as if they were Big Band ensemble figure “kicks”, optionally adding setup fills – see Rhythmic Figures Notation & Interpretation.
Drummers can play them as accents (see “Accents” Notation above) with one hand as rim shots or rim clicks or as crashes/Time-keeper + bass, while filling-in the other subdivisions on the snare softly as ghost notes, or more loudly around the toms, or both!
Drummers can keep 1-3 limbs playing a steady Time-keeping Ostinato, while playing these charts as a “Melody Line” with a remaining limb (e.g., snare, bass, hi-hat foot, or even Time-keeper hand) – see Melody versus Ostinato while you watch the video.
Drummers can play 1 measure (bar) as a “Call/Question” with one limb (e.g., snare) and then repeat this “Melody Line” as a “Response/Answer” with another limb (e.g., bass) for 1 bar in to create an internal “Dialogue/Conversation,” thus creating a 2-bar phrase. Or “Respond/Answer” by reading a different chart rhythm for the 2nd bar. You can even change what limbs “Call/Question” and what limb will “Respond/Answer.”
Drummers can also play 1/2 bar (counts 1 & 2 columns) of “Call/Question” and “Respond/Answer” with the 2nd half (counts 3 & 4 columns).
Drummers can also play Count 1 column “Call/Question,” Count 2 column “Response/Answer,” Count 3 column “Call/Question,” and finally Count 4 column “Response/Answer.”
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2/4 March Meter:
3/4 Waltz Meter:
PDF doc: How to apply these charts
4/4 Common Meter:
PDF doc: How to apply these charts
PDF doc: Every combo of 1/8-note Triplet Jerk “e” counts with the 1/4-note counts for charts 1-17
PDF doc: Another version to play with a Swing Time-Keeping beat (on top)
PDF doc: Every combo 1/8-note Triplet “Lazy “a” counts with the 1/4-note counts for charts 498-514
PDF doc: Another version to play with a Swing Time-Keeping beat (on top)
PDF doc: Another version to play with a Swing Time-Keeping beat (on top)
5/4 Odd Meter:
PDF doc: Every combo of 1/8-note Triplet Jerk “e” counts with the 1/4-note counts for charts 1-33
PDF doc: Every combo of 1/8-note Triplet Lazy “a” counts with the 1/4-note counts for charts 34-66
PDF doc: Every combo of 1/8-note Triplet “e a” counts with the 1/4-note counts for charts 67-99
To get other combos, use the 2/4 March Meter and 3/4 Waltz Meter charts and combine them together for (2-3) or (3-2) phrasing.
6/4 Afro Meter:
PDF doc: How to apply these charts
PDF doc: Every combo of 1/8-note Triplet Jerk “e” counts with the 1/4-note counts for charts 1-64
PDF doc: Every combo of 1/8-note Triplet Lazy “a” counts with the 1/4-note counts for charts 65-128
PDF doc: Every combo of 1/8-note Triplet “e a” counts with the 1/4-note counts for charts 129-192
To get other combos, combine the 2/4 March Meter charts for (2-2-2) phrasing or use the 2/4 March Meter and 4/4 Common Meter charts for (2-4) or (4-2) phrasing, or use the 3/4 Waltz Meter charts for (3-3) phrasing.
7/4 Odd Meter:
PDF doc: How to apply these charts
PDF doc: Every combo of 1/8-note Triplet Jerk “e” counts with the 1/4-note counts for charts 1-129
PDF doc: Every combo of 1/8-note Triplet Lazy “a” counts with the 1/4-note counts for charts 130-258
PDF doc: Every combo of 1/8-note Triplet “e a” counts with the 1/4-note counts for charts 259-387
To get other combos, combine the 2/4 March Meter and 5/4 Odd Meter charts for (2-5) or (5-2) phrasing or combine the 3/4 Waltz Meter and 4/4 Common Meter charts for (3-4) or (4-3) phrasing.